Paris Opera Revives 1707 ‘Ercole Amante’ Highlighting Modern Issues of Coercion and Consent

Paris Opera is presenting a newly revived work from 1707. The opera, titled “Ercole Amante” (“Hercules in Love”), was originally written for Louis XIV. It was composed by Antonia Bembo, a female composer whose music was long forgotten. The production was uncovered and brought back to the stage this season. Directors emphasize its relevance to today’s debates on coercion and consent. The storyline and staging draw parallels to current headlines. Critics note the opera’s blend of historic music with modern social commentary. Audiences are invited to reflect on power dynamics through the 18th‑century lens.